The Romantic Age
Romantic movement which Victor Hugo calls
“liberalism in literature” is simply the expression of life as seen by
imagination.The period covers the latter
half of the reign of king George 111 and ends just seven years before the
accession of Queen Victoria in 1837. Normally,
1798 is considered as the year of inauguration of romantic revival with the
publication of “ The Lyrical Ballads”. Romantic revival had manifested itself before
in the works of the transitional poets
of the 18th century, but “The Lyrical Ballads”
gave a definite shape and direction to the
movement. The poets who were responsible for gradually bringing in elements of romanticism are known as
heralds of romantic
revival. Among these the most important were James Thomson ,Thomas Gray,
William Collins, Oliver Goldsmith,
William Cowper, George Grabbe, William Blake and
Robert Burns.
Characteristics
of the Romantic Movement
The Romantic movement was a strong reaction
against neo-classical ideas.The romantic qualities that had characterised the
literature of the age of Elizabeth were revived. The fullness of imagination, richness of
language, vastness of conception, lyricism, picturesqueness, suggestiveness and
sensuosness found powerful expression, in the literature of the romantic
period.
Romanticism returned to nature and humanity
for its material.They minutely observed all aspects of nature and expressed
their emotional reactions to the magic and beauty of nature.Wordsworth
discovered a new wonder in nature and found peace and joy.Shelley, Keats and
Byron loved nature.
Romanticism was marked by intense human
sympathy and understanding of human heart.The heart unlocks its treasure not to intellect or science but to the touch
of a sympathetic nature.The things that are hidden from the wise and prudent
are revealed to children. Pope had no appreciable humanity, Swift’s work is a
frightful satire and Addison delighted polite society but did not have any
message for plain people. With the romantic revival everything changed.
The romantics looked to the past and sought to
get away from the present reality. The element of mysticism in the medieval
life was heightened by the passage of time.The romantic spirit seeks the strange
and the mysterious.Coleridge experienced the feeling of wonder and mystery in the supernaturals
and Wordsworth revealed the inherent mystery in the common objects of nature
and human life.
Romanticism was the expression of individual
genius rather than of established rules.There is an endless variety in the
works of the best romanticists.The romanticists who used nature and human heart
as sources for their material, surprise us and offer new beauty and stirs us
deeply.
Romanticism is a revolt
against all artificiality; it stands for simplicity in theme and treatment.Not
only do the romantics treat the common man, they also use his language for their
purposes.Thus Wordsworth, raised his voice against the artificial diction of
the 18th century classics and advocated the use of the language of common man
for purposes of poetry.
The Romantic movement followed its own genius
but looks back with reverence to the past masters.Spenser, Shakespeare and
Milton were the inspiration of the romantic revival. In short, romanticism is
the protest against the bondage of rules, the return to nature and human heart
and the interest in old sagas and medieval romances.
The
Age of poetry
The main characteristic of the romantic age is
that it is an age of poetry.The previous age emphasised on prose but Romantic
age like Elizabethan age, turned to poetry.The glory of the age is represented
in the poetry of Scott, wordsworth Coleridge , Byron, Shelley, Keats, Moore and
Southey.
Romantic poets set themselves to oppose the
tendencies of the 18th century poetry.That is why it is termed as romantic
revolt. Augustan poetry (or neoclassical or 18th poetry i.e the poetry of Pope
and his school) was marked by artificial and conventional diction.It was
didactic.(it sought directly to teach moral lessons to the reader.)or
satirical.It dealt with town life and
appealed to the intellect rather than emotions. Romantic poetry was a reaction
against these features. This reaction manifested itself in concrete form
in the publication of “The Lyrical Ballads”( 1780) by Wordsworth and Coleridge,
who can be regarded as founders of the Romantic movement.
The essential qualities of romantic poetry are
emotion and imagination. Neoclassical poetry appealed to reason and romantic poetry has a emotional
appeal. Besides, neoclassical poetry shows no exercise of the imagination of
the writer.Keats’s “La Belle Dame Sans Merci”,Coleridge’s “ Kubla Khan” are purely imaginative poems.Wordsworths “Ode
to Duty” and Shelley’s “Ozymandius” has emotional appeal.
The
18th century poets were little interested in nature,whereas the romantic
poets had deep and sincere love for nature.Wordsworth,the greatest nature poet
in English literature gave a high status as an independent subject for poetry
and developed a full fledged philosophy regarding nature.Wordsworth, Coleridge,
Byron, Shelley and Keats are ardent lovers of nature and can be distinguished from one another in their
attitude to nature. “Tintern Abbey” , “Frost At Midnight” , “Ode to Westwind”, “Ode
to Autumn” are all nature poems.
Romantic poets had sincere love for
man.Coleridge shows his love of humanity in “Reflections”. Shelley visualizes
the golden age of man when there will be
no slavery and love will reign, in his “Hymn
to Intellectual Beauty” and “ Ode to the Westwind”.
Romantics were deeply inetrested in their
own personality and wrote deeply personal poems revealing their own nature , feelings
and thoughts.This subjectively led them to write lyrics.Shelley’s lyricism is
exquisite and uncomparable.”Ode to Westwind” is a supreme example of lyric gift
. “The Solitary Reaper” is an example of Wordsworth’s lyricism.
The 18th century poets employed conventional
and artificial diction ,variety of metres and stanza forms.The heroic couplet
was thought to be the best metre for writing poetry.They also coined fresh and
beautiful words and special phrases as against conventional and artificial
words of 18th century poetry.
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